An iconographic flow – presented as a lecture performance including slides and video material – traces evidence of powerful relationsships between mining industry, space discourse, and educational narratives.

A continuously growing set of watercolour drawings, each of which is drawn after the cover of a primary school book, originating from a variety of the world’s languages.

…serves all readers as well as art-historical discourse – though in this case also the person of Anna Winteler who is both professional physiotherapist and a public person – as the place where the biography is fixed. Information regarding the origins and the life of any given artist are standard in a framing introduction and reflection upon works.

A portfolio comprising…

…the first avatars appeared in the art world,
while community-engaged practices reflected upon the contradictory urban societal condition.
In Vancouver during this time, artist Rodney Graham produced three video works, one after the other, and declared it a trilogy. All three narrate a male character living under marginal conditions in the historical past.

El impulso recurrente de dejar de hablar … Sondear el terreno para ver lo que se avecina. “De todas formas, por el momento una de mis opciones es decir poco y no ser escuchado.” (1)
Escrita, la frase nos da una superficie útil. Una superficie en la cual estamos disponibles, preparados para que la información fluya según requiere nuestra profesión. Móviles. Sí, nos encanta estar en movimiento. De la bienal a la feria de arte; de la inauguración de la exposición de un amigo artista hasta una convención de dos días; de una cena con una coleccionista a la fecha límite de entrega de un artículo para un catálogo. Antes o después de las exposiciones o de las conferencias, damos las gracias a la organización que ha hecho posible que estemos ahí. Pero esta gratitud debería trasladarse también hacia otro lado: al bullicio familiar de la escena cultural, la actividad que hace que todo esté en continuo movimiento.

… combines stories with vehicles as supporting actors, dealing with motion, weekend forays, pilgrimage and time travel. Visual information provided the starting point for the stories, which the artist commissioned from Ruth Buchanan, Hans-Christian Dany, Mark von Schlegell, Burkhard Strassmann, and Birgit Kempker. A peculiar process of creation and reaction is driving it.

A set of 12 volumes – 11 of them blank, the twelfth acting as a kind of index merely constituted by titles –, various papers, various dimensions, covers in green heavy duty paper, blind blocking, letterpress printing, in an edition of six. With an afterword by the writer and literary scholar Marianne Schuller.